Born in 1973 (Victoria, BC)

Jason Henry Hunt is the son of Kwaguilth carver and artist, Stanley Clifford Hunt. Following in the footsteps of his father and uncle, Tony Hunt and Richard Hunt, Jason has merged his trained indigenous artistic capabilities with a unique, recognizable style that is sought after by collectors throughout North America and in Europe.

It was during the summer break of 1994, after completing his third year in the field of business administration at Camosun College that Jason became intrigued with his family’s artistic Heritage. Jason was in the process of seeking summer employment when he decided to visit his father, Kwaguilth artist Stanley C. Hunt. While watching his father design and carve traditional pieces Jason became more interested in the craft.

When he tried to carve he found he had a natural connection that has been passed down through generations of the Hunt Family. Jason’s lineage strongly influenced his decision to expand his knowledge of his family’s artistic history and under the tutelage of his father Jason began to explore the distinct culture and art form of the Kwaguilth people. He strives to maintain the integrity and authenticity of his work by being well versed on the significance of each piece. Jason is prepared to offer explanations of his work with reference to the meaning and the legends behind each of the figures he incorporates into his work.

Out of respect for traditional methods, Jason limits the use of power tools to rough out his work and knife finishes his work as opposed to using sandpaper. He plans to continue enhancing his skills and knowledge under the direction of his father while blending traditional techniques with his own unique contemporary style.

Dedicated to the values of old world craftsmanship, and favouring the use of hand tools to carve and finish his works, Jason creates signature pieces that range from totem poles and large scale panels to masks, paintings and jewelry.

In 2007, Jason and his father, Tony Hunt, refurbished the totem pole at Parc Jean-Drapeau in Montreal, that his grandfather, Henry Hunt, had built. Today, Jason is the youngest steward of a rich legacy of creativity that traces its roots from his father through his grandfather, Henry Hunt, to his great-grandfather, Mungo Martin (both widely credited with teaching many of today’s leading artists). Jason’s work explores the distinct culture and art form of the Kwagiulth people while reflecting the vibrant history and knowledge of generations of acclaimed artists.